By Ursula Schorn
Anna Halprin is a world-famous theatre artist and early pioneer within the expressive arts therapeutic stream. This ebook explores her own progress as a dancer and choreographer and the advance of her healing and pedagogical method.
The authors, who every one informed with Halprin, introduce her inventive paintings and the 'Life/Art Process®' she built, an strategy that takes existence stories as a resource for creative expression. additionally they learn the broader impression of Halprin's paintings at the fields of paintings, schooling, remedy and political motion and speak about how she crossed the conventionally outlined barriers among them.
Exploring Halprin's trust that dance could be a robust strength for transformation, therapeutic, schooling, and making our lives entire, this ebook is a tribute to a superb physique of inventive and healing paintings and may be of curiosity to expressive arts therapists, dance circulation psychotherapists, dancers, functionality and neighborhood artists, and somebody with an curiosity in modern dance.
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Extra info for Anna Halprin: Dance - Process - Form
Perception is guided by questions like: What can be felt on the physical, emotional and mental levels? How is something that is felt expressed? How do the three correspond with each other? Which levels do not correspond and resonate, but are apparently shut off or blocked? How and where do contradictory, incongruent expressions appear? These are questions that prepare us for embarking on the creative process of perception and expression. They aim to heighten awareness of perception by differentiating, and to extend the range of the body’s capacity for expression, in order to achieve increasingly congruent expression.
With dancers clad in randomly selected costumes and shoes, a form of ‘total theatre’ was being tried out. The link between cause and effect was broken; the public was not to react with their intellect, rather to discover through their senses. SCANDAL AND SUCCESS – ON TOUR IN EUROPE In 1963, in response to an invitation by the composer Luciano Berio, Anna Halprin choreographed her first opera. Together they created Esposizione for the Venice Biennale (see Figure 3). Anna Halprin developed her own solution for the space inside the La Fenice opera house, with only 100 seats in the stalls.
50 ANNA HALPRIN The subject of AIDS was predominant for a few years, and in 1989 and 1991 the ritual Circle the Earth temporarily bore the subtitle ‘Dancing with Life on the Line’. The basic structure was retained for the most part, but each group introduced their own building blocks. Anna Halprin calls it an empowerment: here the dance has the function of repossessing one’s body and its knowledge, in order to make use of this knowledge, together with the building blocks of the Life/Art Process, for one’s own processes of becoming aware and healing.